What’s Real When Everything’s Constructed in Perfect Blue
And now for something completely different, I’m going to be writing about an animated movie this time: Satoshi Kon’s 1997 masterpiece Perfect Blue. Writing about visual storytelling in animated films is different on a...
The Cinematic Faces of Ed Gein
In this week’s Serial Killer Celluloid, we’re going to cheat— just a little. Ed Gein isn’t classified as a serial killer. The man was a proper ghoul, having robbed and desecrated graves for some...
Reasoning with the Unreasonable in No Country for Old Men
Horror, deep in its dark heart, is about forcing characters to confront the unimaginable: the killer with a knife, the book that raises the dead, the alien life-form that shouldn't exist, the haunted house...
The Mouth of Hell in Jaws (1975)
Like most kids born in the early to mid-80s, I grew up knowing the name Steven Spielberg. My cousins and I wore out my grandmother’s VHS copy of E.T. (1982) growing up (and not...
The Misuse of Dissociative Identify Disorder & Demonization of Homosexuality in High Tension (2003)
So far in The Haunted and the Sick, I have praised multiple films on their ability to portray various illnesses properly and mentioned how they could do better. However, writers can learn by example,...
Write What Scares You? Write What You Damn Well Want!
Kelly Warner, author of the post-apocalyptic kaiju trilogy In the Shadow of Extinction, wrote about how he feels the advice “write what you know” often gets misinterpreted. I believe a similar piece of writing...
Restricted Point of View in The Invitation
Question Scream Writers: What do Shutter Island (2010), Memento (2000), and The Cabinet of Dr. Caligari (1920) all have in common?
Answer: Each of these films make good use of an “Unreliable Narrator.” That is,...
The Neon Demon: Where Visuals are More Important than Script
Welcome back to Everything but Bone! This week we are going to be examining one of the most polarizing horror films of 2016, Nicolas Winding Refn’s The Neon Demon. It’s one of those love it...
Art Imitates Life in Scream (1996)
Sometimes art imitates life. Other times, life imitates art. Suddenly there’s no line between what is fiction and what constitutes reality. In August of 1990, life and the art of horror collided when five...
The Horror of Connotation
While I make it my domain to help screenwriters professionally, both through script consultations and one-on-one mentoring, it is my goal to provide my fellow Scream Writers with as many free tools to advance...
The Expectations of Blood and Gore
Good fiction and film requires conflict. And usually when we’re talking about genre, that conflict often includes violence and some amount of blood. How you depict gore in your work is all about managing...
A Hand, Broken Dishes, and a Chainsaw in Evil Dead II
Lend me a hand?
I came upon the first Evil Dead (1981) while researching influential horror movies online. I had heard the title before and had previously assumed it to be a schlock oddity, something...
Gerald’s Game and the Representation of PTSD
With PTSD, the patient lives a lot in their head. After a traumatic event, this illness has over two times the chance of lasting for a lifetime. As a survivor of child abuse myself,...
Screenwriters Talk Genre and Share Advice in These Six Video Interviews
When it comes to learning screenwriting, it never hurts to actually listen to the screenwriters rather than the directors. Seems logical, but some people get caught up in the auteur theory instead of going...
Pace and Originality in Fede Alvarez’s Evil Dead
Welcome back, my Scream Writers. This week’s article was originally going to cover another screenplay—one that I will leave unnamed. However, when I had found myself making up excuses to avoid reading what I...
Ambiguous Horror in Stanley Kubrick’s The Shining
Hello and welcome back to Everything but Bone. Today we are going back to 1980 with Stanley Kubrick’s The Shining, a classic film that has recently spawned countless memes and reactions gifs. But I...
Patty Jenkins and Levelling the Playing Field in Monster (2003)
The name Aileen Wuornos conjures to most the image of a wild eyed, crazed woman who shouted profanities in court after being condemned to death for the killing of several men in Florida between...
5 Places to Find Horror Screenplays Online
If you're anything like me, you've read enough advice or listened to enough interviews to know that one the best ways to improve as a screenwriter is to read screenplays. It seems to easy...
Seven Ways to Make a Great First Impression
The most deluded thing a writer can tell a prospective publisher about their recently finished manuscript is that “it gets better as it goes.” That may well be true but if you’re saying that...
The Violent Birth of the Chestburster in Alien (1979)
As a kid, I was utterly petrified by the mere idea of watching a horror film. My friends would try to get me to watch them during sleepovers or on those rare occasions where...
Narcissistic Personality Disorder in What Ever Happened to Baby Jane?
Ever wonder what happens to those spoiled child stars when they age into adulthood? Surely no one can live off of their fortune earned as a child forever, but what happens when children don’t...
The Slasher Film: Memories, Murders, and Myths.
Paul Farrell
It was the summer of 1998. I was fourteen, at a sleepover with my closest friends and fighting the group’s movie choice with every fiber of my being. The night had grown dark,...
Bucking Traditional Wisdom and Forging a Sonic Scape in Oz Perkins’ The Blackcoat’s Daughter...
Welcome to the very first Scream Writing, your one stop shop for advice on writing the horror screenplay. Today we’re going to be talking about 2015’s, filmed in Canada, The Blackcoat’s Daughter (original: February); directed...
Victorian Fashion and the Colour Coded Undead in Crimson Peak (2015)
This week on Everything But Bone, we are examining a film from the celebrated, and now Oscar winning, Guillermo del Toro. No fishman love making here, this time we are visiting 2015's Crimson Peak....
Truth, Identity, and Videotapes in Henry: Portrait of a Serial Killer (1986)
Most people lie in order to get out of trouble. Even if it’s only a white lie, its purpose is usually to absolve the person telling it from responsibility or, more often than not,...