Fear Academy – Sacred Terror: Religion and Horror on the Silver Screen by Douglas...
Welcome back Scream Scholars, sorry for the extended break. Though considering the times, I’m sure you understand. For today’s class, we will be looking at Sacred Terror: Religion and Horror on the Silver Screen...
Raising Hell in Pet Sematary 2 (1992)
Sequels are tricky. On the one hand, they exist because the property they’re based on has some degree of popularity; people, places, and things that the general audience would like to see more of....
Get Down with Godzilla: Big G’s Music Video Appearances
Godzilla has meant a lot of things to a lot of people. If his recent appearances in the realm of music videos are of any indication, the things that Godzilla can mean vary A...
Harsh Consequences for Bad Humor in April Fool’s Day (1986)
Holiday slashers are a time-honored tradition. A subgenre of great renown amongst horror fans, these entries become some of the most rewatched titles in any genre enthusiast’s collection.
There’s little I look forward to more...
The Heartfelt Absurdism of Kamen Rider Build (2017-18)
Kamen Rider is one of the pillars of Tokusatsu. Along with Ultraman and Super Sentai, it remains in production to this day. We briefly delved into the Rider universe when we talked about Kamen...
Desires of Blood in the Folktale Horror of The Witch (2015)
There are some movies that just feel dangerous. As if they’re capable of anything. Movies that seem to be constructed more of dread than plot. Nightmarish windows into a different world, foreign to us...
Rachel Unleashes Her Rage in Carrie 2
I’ve always had a love/hate relationship with movie trailers. On the one hand, they can be exciting, short-film quality creations, enticing me to see a picture by way of mood and tone as opposed...
An Electrifying Hot Tub in Valentine (2001)
In the early 2000’s, for my friends and I, Friday nights were reserved for the movie theater. It didn’t matter what movie it was— if it was playing, my friends and I would see...
The Weird World of Kongsploitation: From 1933 to 2020
This week for Toku Tuesday we are delving into a truly bizarre subgenre in the world of giant monsters, Kongsploitation. This is a subgenre of a subgenre since Man-in-a-Gorilla-Suit is a subgenre all of...
Scream Writing Questions with David J. Stieve
This Scream Writing Questions post should have been up two years ago but somehow it managed to slip through the cracks of email, a damned shame considering that David J. Stieve wrote one of...
Holy Horror: Noroi the Curse and the Importance of Folk Rituals
Hello and welcome to the first Holy Horror! Scriptophobic’s very own comparative religion meets horror movie analysis column. To get this off on the right foot, I decided to start with Koji Shirashi’s 2005...
Good VS Evil: Murphy’s Death in Robocop (1987)
The pop culture zeitgeist is a machine that can metamorphose its icons into something digestible. Safe. Crowd— and therefore family— friendly. The more press and entertainment space awarded to a figure, the more familiar...
Fear Academy – Beyond Hammer: British Horror Cinema Since 1970 by James Rose (2009)
Welcome back, fellow fear scholars, to another lecture here at Fear Academy. Today’s topic is on James Rose’s book Beyond Hammer: British Horror Cinema Since 1970 (2009). I was originally going to write this...
Reptilian (2001): A Good-Bad Time
The term “good-bad movie” has come under some fire as of late. How can a movie truly be bad if you find yourself enjoying the experience? If you leave with a smile, regardless of...
A Congregation of Werewolves in Silver Bullet (1985)
There’s this place in horror that exists somewhere in between the innocent and wholesome and the brutal and disturbing. A place that feels so familiar, so welcoming and yet… quietly dangerous. It’s the sort...
A Toku Tuesday Look at Sekiro: Shadows Die Twice
Sekiro: Shadows Die Twice is not a nice game. It challenges you at every turn and any mistake you make will be met with brutality. Set in the Sengoku period (known as the Warring...
The Hell House LLC Trilogy and the Power of Continuity
Happy Holidays and Happy End of 2019! If you’ve been reading Everything But Bone for a while, you know I am a sucker for found footage films (FFF). And this time we are going...
Introducing ‘Holy Horror,’ a new column by Rachel Bolton
Hello readers of Scriptophobic! As we head into a new year and a new decade, I decided it’s time for something different. Starting in January, I will be writing a new monthly column, Holy...
Fear Academy – Beyond Empowertainment: Feminist Horror and the Struggle for Female Agency (2019)
As I was preparing to launch this column, I was fortunate enough to be approached about reviewing a new book called Beyond Empowertainment: Feminist Horror and the Struggle for Female Agency. Released through Seventh...
Welcome to Fear Academy
Welcome to the first semester of Fear Academy, Scriptophobic's newest column. I'm editor-in-chief, Zack Long, and I'm excited to be bringing all you Scream Scholars discussions on the best, most entertaining and educational studies...
Boob Guns and Butt Swords: A Look at RoboGeisha (2009)
The late 2000s and early 2010s were an interesting time for Japanese genre pictures. One of the most prevalent subgenres was the gory, the goofy, and the perverse. Films like Tokyo Gore Police (2008),...
Written in Blood: That Bloody Mirror Scene from Poltergeist (1982)
I’ve said it before and I’ll say it again: as a kid who was terrified of the mere idea of watching a horror movie, little on this Earth distressed me more than the horror...
Fruits, Brains and Bats in Gremlins 2: The New Batch (1990)
Sequels come with a certain degree of baggage. That is to say, the sequel’s greatest enemy is expectation, more often than not brought on by the love and adoration which accompanies its predecessor. After...
Toku Tuesday: Patlabor the Movie 3 (2002)
Eventually, this article series will get into the Neon Genesis Evangelion franchise and my complicated feelings upon it. The ambiance and small moments of Eva are tremendously compelling, however, I've always felt the story...
Written in Blood: Bringing Down a Chopper in The Hitcher (1986)
Horror is a genre of fear, in all of its forms. Fear of the unknown, fear of the self, fear of the other— the manifestations are endless. Still, each iteration offers a relatable thread,...