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SCRIPTOPHOBIC
Articles
Adaptations
Everything But Bone
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The Haunted and the Sick
Holy Horror
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Serial Killer Celluloid
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Posts by Chris Newell
Chris Newell
27 POSTS
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A Master’s candidate at Memorial University of Newfoundland specialising in authorship, print culture, and postmodern critical theory. His short stories have been published in Canada and the US. He prefers animal to people.
Gacy (2003): The American Jekyll and Hyde
Chris Newell
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September 6, 2019
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Blue Caprice (2013) and the Child Soldiers of America
Chris Newell
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August 16, 2019
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Cults, American Xenophobia and Outsiders in Borderland (2007)
Chris Newell
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July 4, 2019
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Citizen X (1995) and the Failure of Soviet Bureaucracy
Chris Newell
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May 30, 2019
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ZODIAC (2007): Never Let Ethics Get in the Way of a...
Chris Newell
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May 9, 2019
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The Riverman (2004): Staring Into the Murderous Abyss
Chris Newell
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May 2, 2019
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Black Fly (2014): The Shock of Serial Murder in a Small...
Chris Newell
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April 11, 2019
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Gun Violence, Small Town Stability and the Cauterized Wound in Out...
Chris Newell
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March 12, 2019
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The Police Incompetence and Widespread Societal Misogyny of The Chaser (2008)
Chris Newell
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February 26, 2019
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Fact Versus Fiction: Trusting a Killer in Happy Face Killer (2014)
Chris Newell
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February 12, 2019
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Rewriting History: Karla (2006) and the Morality of Adaptation
Chris Newell
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January 24, 2019
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Reality, the BTK Killer, and the Conservative Community in The Clovehitch...
Chris Newell
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December 20, 2018
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The Limitations of Law in Memories of Murder (2003)
Chris Newell
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November 29, 2018
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The Untreated Psychopathy of I, Olga Hepnarová (2016)
Chris Newell
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October 31, 2018
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Paranoia, Marginalization, and Race in Spike Lee’s Summer of Sam (1999)
Chris Newell
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October 15, 2018
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The Abyssal Sadness of Tony (2009)
Chris Newell
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October 1, 2018
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Boredom of the Lower Class in The Snowtown Murders (2011)
Chris Newell
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September 17, 2018
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Conservatism and Identity in The Stepfather (1987)
Chris Newell
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September 3, 2018
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When Serial Killer Becomes Slasher – Ivan Milat, Mick Taylor, and...
Chris Newell
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August 20, 2018
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Perspective, Realism, & Fighting the Death Penalty in 10 Rillington Place...
Chris Newell
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August 6, 2018
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The Visceral Chaos of Angst (1983)
Chris Newell
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July 23, 2018
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The Cinematic Faces of Ed Gein
Chris Newell
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July 9, 2018
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Art Imitates Life in Scream (1996)
Chris Newell
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June 25, 2018
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Patty Jenkins and Levelling the Playing Field in Monster (2003)
Chris Newell
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June 11, 2018
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Truth, Identity, and Videotapes in Henry: Portrait of a Serial Killer...
Chris Newell
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May 28, 2018
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